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Howells, William Dean, 1837-1920

"Oliver Wendell Holmes (from Literary Friends and Acquaintance)"

There was no interval needed for
fanning away the ashes; he tinkled up before he entered the house, and at
the table he was as vivid and scintillant as I ever saw him, if indeed I
ever saw him as much so. The talk began at once, and we had made him
believe that there was nothing egotistic in his taking the word, or
turning it in illustration from himself upon universal matters. I spoke
among other things of some humble ruins on the road to Gloucester, which
gave the way-side a very aged look; the tumbled foundation-stones of poor
bits of houses, and "Ah," he said, "the cellar and the well?" He added,
to the company generally, "Do you know what I think are the two lines of
mine that go as deep as any others, in a certain direction?" and he began
to repeat stragglingly certain verses from one of his earlier poems,
until he came to the closing couplet. But I will give them in full,
because in going to look them up I have found them so lovely, and because
I can hear his voice again in every fondly accented syllable:
"Who sees unmoved, a ruin at his feet,
The lowliest home where human hearts have beat?
Its hearth-stone, shaded with the bistre stain,
A century's showery torrents wash in vain;
Its starving orchard where the thistle blows,
And mossy trunks still mark the broken rows;
Its chimney-loving poplar, oftenest seen
Next an old roof, or where a roof has been;
Its knot-grass, plantain,--all the social weeds,
Man's mute companions following where he leads;
Its dwarfed pale flowers, that show their straggling heads,
Sown by the wind from grass-choked garden-beds;
Its woodbine creeping where it used to climb;
Its roses breathing of the olden time;
All the poor shows the curious idler sees,
As life's thin shadows waste by slow degrees,
Till naught remains, the saddening tale to tell,
Save home's last wrecks--the CELLAR AND THE WELL!"
The poet's chanting voice rose with a triumphant swell in the climax, and
"There," he said, "isn't it so? The cellar and the well--they can't be
thrown down or burnt up; they are the human monuments that last longest
and defy decay.


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