Our dramatic ardor was considerably damped by this event, and when next
it revived our choice could not be accused of levity. Our aim was
infinitely more ambitious, and our task more arduous. Racine's
"Andromaque" was selected for our next essay in acting, and was, I
suppose, pronounced unobjectionable by the higher authorities. Here,
however, our mainstay and support, Mademoiselle Descuilles, interposed a
very peculiar difficulty. She had very good-naturedly learned the part
of Solyman, in the other piece, for us, and whether she resented the
useless trouble she had had on that occasion, or disliked that of
committing several hundred of Racine's majestic verses to memory, I know
not; but she declared that she would only act the part of Pyrrhus, which
we wished her to fill, if we would read it aloud to her till she knew
it, while she worked at her needle. Of course we had to accept any
condition she chose to impose upon us, and so we all took it by turns,
whenever we saw her industrious fingers flying through their
never-ending task, to seize up Racine and begin pouring her part into
her ears. She actually learned it so, and our principal difficulty after
so teaching her was to avoid mixing up the part of Pyrrhus, which we had
acquired by the same process, with every other part in the play.
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