Mrs. Norton was extremely
epigrammatic in her talk, and comically dramatic in her manner of
narrating things. I do not know whether she had any theatrical talent,
though she sang pathetic and humorous songs admirably, and I remember
shaking in my shoes when, soon after I came out, she told me she envied
me, and would give anything to try the stage herself. I thought, as I
looked at her wonderful, beautiful face, "Oh, if you should, what would
become of me!" She was no musician, but had a deep, sweet contralto
voice, precisely the same in which she always spoke, and which, combined
with her always lowered eyelids ("downy eyelids" with sweeping silken
fringes), gave such incomparably comic effect to her sharp retorts and
ludicrous stories; and she sang with great effect her own and Lady
Dufferin's social satires, "Fanny Grey," and "Miss Myrtle," etc., and
sentimental songs like "Would I were with Thee," "I dreamt 'twas but a
Dream," etc., of which the words were her own, and the music, which only
amounted to a few chords with the simplest modulations, her own also. I
remember she used occasionally to convulse her friends _en petit comite_
with a certain absurd song called "The Widow," to all intents and
purposes a piece of broad comedy, the whole story of which (the wooing
of a disconsolate widow by a rich lover, whom she first rejects and then
accepts) was comprised in a few words, rather spoken than sung, eked out
by a ludicrous burden of "rum-ti-iddy-iddy-iddy-ido," which, by dint of
her countenance and voice, conveyed all the alternations of the widow's
first despair, her lover's fiery declaration, her virtuous indignation
and wrathful rejection of him, his cool acquiescence and intimation that
his full purse assured him an easy acceptance in various other quarters,
her rage and disappointment at his departure, and final relenting and
consent on his return; all of which with her "iddy-iddy-ido" she sang,
or rather acted, with incomparable humor and effect.
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