But our young friend's sentiments are not peculiar to
himself--have been often shared, indeed, by very experienced persons.
We have heard of comic singers and travelling entertainment givers who
have greatly resented the air of indifference of their musical
accompanist. They have required of him that he should feel amused, or
affect to feel amused, by their efforts. He has had to supplement his
skill as a musician by his readiness as an actor. It has been thought
desirable that the audience should be enabled to exclaim: "The great
So-and-So _must_ be funny! Why, see, the man at the piano, who plays
for him every night, who has, of course, seen his performances scores
and scores of times, even _he_ can't help laughing, the great
So-and-So is so funny." The audience, thus convinced, find themselves,
no doubt, very highly amused. Garrick himself appears, on one occasion
at any rate, to have been much enraged at the indifference of a
member of his band. Cervetto, the violoncello player, once ventured to
yawn noisily and portentously while the great actor was delivering an
address to the audience.
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