Still, to King James's admiring patronage of Mrs.
Barry, the benefit system, as it is at present known to us, has been
generally ascribed; and clearly the monarch's memory deserves to be
cherished on this account by our players. He can ill afford to forego
the smallest claim to esteem, and undoubtedly he entertained a
friendly regard for the stage and its professors. Indeed, the Stuarts
generally were well disposed towards the arts, and a decidedly
playgoing family.
For some years, however, actors' benefits did not extend beyond the
case of Mrs. Barry. But in 1695 the patentees of the theatres were so
unfortunately situated that they could not satisfy the claims of their
actors, and were compelled to pay them "half in good words and half in
ready money." Under these circumstances certain of the players
compounded for the arrears of salary due to them by taking the risk of
benefit performances. After a season or two these benefits were found
to be so advantageous to the actors that they were expressly
stipulated for in their agreements with the managers. On the other
hand, the managers, jealous of the advantages secured in this wise by
the players, took care to charge very fully for the expenses of the
house, which were of course deducted from the gross receipts of the
benefit-night, and further sought to levy a percentage upon the
profits obtained by the actors.
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