SEARCH
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Prev | Current Page 727 | Next

Cook, Dutton, 1829-1883

"A Book of the Play Studies and Illustrations of Histrionic Story, Life, and Character"

But this "coming forward" of the player, to deliver his tag, is
a practice of old date. The concluding speech in Massinger's "New Way
to Pay Old Debts," addressed to the audience, and commencing--
Nothing wants then
But your allowance--and in that our all
Is comprehended--
is, according to the old stage direction, to be spoken by Wellborn
"coming forward." So also Cozimo is directed to "come forward," to
address to the audience the last lines of "The Great Duke of
Florence."
Epilogues have rarely been employed as supplementary acts, continuing
and completing the action of a play, as prologues in modern times have
been converted into introductory chapters, explanatory of events to be
presently exhibited upon the scene. Yet the interminable drama of
"Marie Antoinette," by Signor Paolo Giacometti, in which Madame
Ristori was wont to perform, presents an instance of this kind. "Marie
Antoinette" is in five acts, with a prologue exhibiting the queen's
life at Versailles, in 1786, and an epilogue showing her imprisonment
in the Conciergerie, and her march to the guillotine in the custody of
Samson the executioner.


Pages:
715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739