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O'Grady, Standish, 1846-1928

"Early Bardic Literature, Ireland."

Like the central chamber of that huge tumulus [Note: New
Grange anciently Cnobgha, and now also Knowth.] on the Boyne,
overarched with massive unhewn rocks, its very ruggedness strikes
an awe which the orderly arrangement of smaller and more reasonable
thoughts, cut smooth by instruments inherited from classic times,
fails so often to inspire. The labour of the Attic chisel may be
seen since its invention in every other literary workshop of
Europe, and seen in every other laboratory of thought the
transmitted divine fire of the Hebrew. The bardic literature of
Erin stands alone, as distinctively and genuinely Irish as the race
itself, or the natural aspects of the island. Rude indeed it is,
but like the hills which its authors tenanted with gods, holding
dells [Note: Those sacred hills will generally be found to have
this character.] of the most perfect beauty, springs of the most
touching pathos. On page 33, Vol. I., will be seen a poem [Note:
Publications of Ossianic Society, page 303, Vol. IV.] by Fionn upon
the spring-time, made, as the old unknown historian says, to prove
his poetic powers--a poem whose antique language relegates it to a
period long prior to the tales of the Leabhar na Huidhre, one
which, if we were to meet side by side with the "Ode to Night," by
Alcman, in the Greek anthology, we would not be surprised; or those
lines on page 203, Vol. I., the song of Cuculain, forsaken by his
people, watching the frontier of his country--
"Alone in defence of the Ultonians,
Solitary keeping ward over the province"
or the death [Note: Publications of Ossianic Society, Vol.


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