"
[Footnote 1: To whose terminal essay in "Hakluyt's Voyages" (Maclehose)
I am indebted for much of the matter in this section.]
It is the same in his other plays. Dr. Faustus assigns to his
serviceable spirits tasks that might have been studied from the books of
Hakluyt
"I'll have them fly to India for gold,
Ransack the ocean for orient pearl,
And search all corners of the new round world
For pleasant fruits and princely delicates."
When there is no actual expression of the spirit of adventure, the air
of the sea which it carried with it still blows. Shakespeare, save for
his scenes in _The Tempest_ and in _Pericles_, which seize in all its
dramatic poignancy the terror of storm and shipwreck, has nothing
dealing directly with the sea or with travel; but it comes out, none the
less, in figure and metaphor, and plays like the _Merchant of Venice_
and _Othello_ testify to his accessibility to its spirit. Milton, a
scholar whose mind was occupied by other and more ultimate matters, is
full of allusions to it. Satan's journey through Chaos in _Paradise
Lost_ is the occasion for a whole series of metaphors drawn from
seafaring. In _Samson Agonistes_ Dalila comes in,
"Like a stately ship .
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