This connection between life and action affected as we have seen
the tone and quality of Elizabethan writing. "All the distinguished
writers of the period," says Thoreau, "possess a greater vigour and
naturalness than the more modern ... you have constantly the warrant of
life and experience in what you read. The little that is said is eked
out by implication of the much that was done." In another passage the
same writer explains the strength and fineness of the writings of Sir
Walter Raleigh by this very test of action, "The word which is best said
came nearest to not being spoken at all, for it is cousin to a deed
which the speaker could have better done. Nay almost it must have taken
the place of a deed by some urgent necessity, even by some misfortune,
so that the truest writer will be some captive knight after all." This
bond between literature and action explains more than the writings of
the voyagers or the pamphlets of men who lived in London by what they
could make of their fellows. Literature has always a two-fold relation
to life as it is lived. It is both a mirror and an escape: in our own
day the stirring romances of Stevenson, the full-blooded and vigorous
life which beats through the pages of Mr.
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