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Mair, G. H., 1887-1926

"English Literature: Modern Home University Library of Modern Knowledge"

"
These bare elemental precepts he clothes in a garment of amazing and
bizarre richness. There is nothing else in English faintly resembling
the astonishing eccentricity and individuality of his style. Gifted with
an extraordinarily excitable and vivid imagination; seeing things with
sudden and tremendous vividness, as in a searchlight or a lightning
flash, he contrived to convey to his readers his impressions full
charged with the original emotion that produced them, and thus with the
highest poetic effect. There is nothing in all descriptive writing to
match the vividness of some of the scenes in the _French Revolution_ or
in the narrative part of _Cromwell's Letters and Speeches_, or more
than perhaps in any of his books, because in it he was setting down
deep-seated impressions of his boyhood rather than those got from
brooding over documents, in _Sartor Resartus_. Alongside this unmatched
pictorial vividness and a quite amazing richness and rhythm of language,
more surprising and original than anything out of Shakespeare, there are
of course, striking defects--a wearisome reiteration of emphasis, a
clumsiness of construction, a saddening fondness for solecisms and
hybrid inventions of his own. The reader who is interested in these (and
every one who reads him is forced to become so) will find them
faithfully dealt with in John Sterling's remarkable letter (quoted in
Carlyle's _Life of Sterling_) on _Sartor Resartus_.


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