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Mair, G. H., 1887-1926

"English Literature: Modern Home University Library of Modern Knowledge"

But gross as they
are, and frequently as they provide matter for serious offence, these
eccentricities of language link themselves up in a strange indissoluble
way with Carlyle's individuality and his power as an artist. They are
not to be imitated, but he would be much less than he is without them,
and they act by their very strength and pungency as a preservative of
his work. That of all the political pamphlets which the new era of
reform occasioned, his, which were the least in sympathy with it and are
the furthest off the main stream of our political thinking now, alone
continue to be read, must be laid down not only to the prophetic fervour
and fire of their inspiration but to the dark and violent magic of their
style.


CHAPTER IX

THE NOVEL
(1)
The faculty for telling stories is the oldest artistic faculty in the
world, and the deepest implanted in the heart of man. Before the rudest
cave-pictures were scratched on the stone, the story-teller, it is not
unreasonable to suppose, was plying his trade. All early poetry is
simply story-telling in verse. Stories are the first literary interest
of the awakening mind of a child. As that is so, it is strange that the
novel, which of all literary ways of story-telling seems closest to the
unstudied tale-spinning of talk, should be the late discovery that it
is.


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