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?© de, 1799-1850

"The Hidden Masterpiece"

In that respect sculptors get
nearer to the truth of nature than we do. Nature is all curves, each
wrapping or overlapping another. To speak rigorously, there is no such
thing as drawing. Do not laugh, young man; no matter how strange that
saying seems to you, you will understand the reasons for it one of
these days. A line is a means by which man explains to himself the
effect of light upon a given object; but there is no such thing as a
line in nature, where all things are rounded and full. It is only in
modelling that we really draw,--in other words, that we detach things
from their surroundings and put them in their due relief. The proper
distribution of light can alone reveal the whole body. For this reason
I do not sharply define lineaments; I diffuse about their outline a
haze of warm, light half-tints, so that I defy any one to place a
finger on the exact spot where the parts join the groundwork of the
picture. If seen near by this sort of work has a woolly effect, and is
wanting in nicety and precision; but go a few steps off and the parts
fall into place; they take their proper form and detach themselves,
--the body turns, the limbs stand out, we feel the air circulating
around them.
"Nevertheless," he continued, sadly, "I am not satisfied; there are
moments when I have my doubts. Perhaps it would be better not to
sketch a single line. I ask myself if I ought not to grasp the figure
first by its highest lights, and then work down to the darker
portions.


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