Le Coutier, dates from the time of Bishop Edyngton,
and that representing Richard II is a work contemporary with Bishop
Wykeham. This part of the building has been the scene of many
progresses--magnificent and sad--from the coronation processions of
the early kings and the slow march of their funerals to that of the
wedding of Mary I, when the queen blazed with jewels "to such an
extent that the eye was blinded as it looked upon her." But the most
unforgettable of all was on that dreadful day when the troops of
Waller marched up the nave, some mounted and all in war array, to
despoil the tombs of bishop and knight of their emblems of piety and
honour and to destroy anything beautiful that could be reached with
pike or sword.
On the right of the choir steps is Bishop Edyngton's chantry and on
the left the grave of the last Prior, Kingsmill, who afterwards became
first Dean. In the centre of the choir stands the reputed tomb of
William Rufus. This part of the building forms a mortuary chapel for
several of the early English Kings, including Canute. Their remains,
with those of several bishops, rest in the oak chests that lie on the
top of the choir screen.
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