I know not which is cheapest, pessimism or optimism.
One forces lights, the other darks; both are equally untrue to good
art, and equally sure of their effect with the groundlings. The one
extenuates, the other sets down in malice. The first is the more
amiable lie, but both are lies, and are known to be so by those who
utter them. Talk about catching the tone of a vanished society to
understand Rembrandt or Giovanni Bellini! It's nonsense--the folds
do not thicken in front of these men; we understand them as well as
those among whom they went about in the flesh, and perhaps better.
Homer and Shakespeare speak to us probably far more effectually than
they did to the men of their own time, and most likely we have them
at their best. I cannot think that Shakespeare talked better than
we hear him now in "Hamlet" or "Henry the Fourth"; like enough he
would have been found a very disappointing person in a drawing-room.
People stamp themselves on their work; if they have not done so they
are naught; if they have we have them; and for the most part they
stamp themselves deeper in their work than on their talk. No doubt
Shakespeare and Handel will be one day clean forgotten, as though
they had never been born. The world will in the end die; mortality
therefore itself is not immortal, and when death dies the life of
these men will die with it--but not sooner.
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