If, however, the reader
will bear in mind these somewhat obvious considerations, and will
also remember the pathetic circumstances under which the chapels
were designed--for Tabachetti when he reached Saas was no doubt
shattered in body and mind by his four years' imprisonment--he will
probably be not less attracted to them than I observed were many of
the visitors both at Saas-Grund and Saas-Fee with whom I had the
pleasure of examining them.
I will now run briefly through the other principal works in the
neighbourhood to which I think the reader would be glad to have his
attention directed.
At Saas-Fee itself the main altar-piece is without interest, as also
one with a figure of St. Sebastian. The Virgin and Child above the
remaining altar are, so far as I remember them, very good, and
greatly superior to the smaller figures of the same altar-piece.
At Almagel, an hour's walk or so above Saas-Grund--a village, the
name of which, like those of the Alphubel, the Monte Moro, and more
than one other neighbouring site, is supposed to be of Saracenic
origin--the main altar-piece represents a female saint with folded
arms being beheaded by a vigorous man to the left. These two
figures are very good. There are two somewhat inferior elders to
the right, and the composition is crowned by the Assumption of the
Virgin. I like the work, but have no idea who did it.
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